The Workshop |
Alongside the workshop he has a purpose-built room where the completed instruments go to dry after varnishing. Colin’s recent violins are based on a Guarneri model, and his varnish is handmade from a recipe that has changed little since the age of the great Cremonese violin makers. |
Materials Selection |
|
For the tops, Colin uses Alpine Spruce (Picea excelsa). European Maple (Acer-pseudo platanus) is used for the backs and the finest ebony and boxwood for the fittings. |
|
![]() |
The varnish Colin uses has changed little since the days of the Cremonese Masters, and is in fact based on a recipe he found in a 17th Century manuscript. |
|
As part of the varnishing process, a "distressed" effect can be applied if required, to give a beautiful antique look to the instrument. |
![]() |
|
|


